Itemize Appertaining To Books Eve's Hollywood
| Title | : | Eve's Hollywood |
| Author | : | Eve Babitz |
| Book Format | : | Unknown Binding |
| Book Edition | : | First Edition |
| Pages | : | Pages: 296 pages |
| Published | : | January 1st 1974 by Delacorte Press/S. Lawrence |
| Categories | : | Nonfiction. Autobiography. Memoir |
Eve Babitz
Unknown Binding | Pages: 296 pages Rating: 3.91 | 1571 Users | 216 Reviews
Interpretation Toward Books Eve's Hollywood
Journalist, party girl, bookworm, artist, muse: by the time she’d hit thirty, Eve Babitz had played all of these roles. Immortalized as the nude beauty facing down Duchamp and as one of Ed Ruscha’s Five 1965 Girlfriends, Babitz’s first book showed her to be a razor-sharp writer with tales of her own. Eve’s Hollywood is an album of vivid snapshots of Southern California’s haute bohemians, of outrageously beautiful high-school ingenues and enviably tattooed Chicanas, of rock stars sleeping it off at the Chateau Marmont. And though Babitz’s prose might appear careening, she’s in control as she takes us on a ride through an LA of perpetual delight, from a joint serving the perfect taquito, to the corner of La Brea and Sunset where we make eye contact with a roller-skating hooker, to the Watts Towers. This “daughter of the wasteland” is here to show us that her city is no wasteland at all but a glowing landscape of swaying fruit trees and blooming bougainvillea, buffeted by earthquakes and the Santa Ana winds—and every bit as seductive as she is.Mention Books In Pursuance Of Eve's Hollywood
| Original Title: | Eve's Hollywood |
| ISBN: | 0440023394 (ISBN13: 9780440023395) |
Rating Appertaining To Books Eve's Hollywood
Ratings: 3.91 From 1571 Users | 216 ReviewsAssessment Appertaining To Books Eve's Hollywood
It takes a certain kind of innocence to like L.A. The Iconic photograph of Eve Babitz playing chess with Marcel Duchamp taken by Julian Wasser at the Pasadena Art Museum.I have always had Eve Babitz categorized in my mind as one of the IT girls of the 1960s/1970s. As I was doing some research on her before reading this book, I suddenly realized that I did know her without knowing her. (I actually heard an audible click in my head as the tumblers fell into place.) The iconic photograph taken byI suppose this might have some minor documentary value as a roman à clef for those interested in this period and locale but its value as literature is so slight that if you look sideways it vanishes. Babitz, who describes herself as a "tall, clean California Bardot with messy hair..." is consistently vapid and narcissistic-apparently interested in things only as they relate to her and her appetites for celebrity, sex (mostly with much older men), booze, and drugs. Her take on the Watts Riots is
DNFappallingly bad. has made me stop reading altogether this month because of the dread I feel every time I pick up my eReader to read this. I can't finish it. Get me out of this reading nightmare.
I could read stuff like this all day! Little snippets of a fabulous life lived in 70s LA. She brings the whole time period alive writing about Jim Morrison, books, taquitos, weed, the Watts towers and lots of fabulous arty people. I'm buying everything she's ever written.
Love is about half a sham, even in the best cases, a conscious and deliberate effort to keep the wool tight over the top of your face, but whats the alternative, really? I did not love New York when I first moved there that was why I wrote City Dreaming, in fact, as a deliberate effort to intoxicate myself on the metropolis and my brief time in it. The same effort will be required to become an Angeleno, to view my stay here as being valuable, as valuable as something can be in the stew of
My essay about Eve Babitz & this book for the Chicago Tribune: Few things make me shake my head with greater incredulity that when someone says something to the effect that the market rewards those who most deserve it (for their obvious talent, for their skill at competition, for their meeting of a demand, etc.). That kind of blind belief that the cream magically and meritocratically rises to the top is frustrating in any context, including an aesthetic one. Historically and currently, the
Really enjoyed this collection of short pieces about (growing up in) L.A.
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