Identify About Books The Selected Writings of Edgar Allan Poe
| Title | : | The Selected Writings of Edgar Allan Poe |
| Author | : | Edgar Allan Poe |
| Book Format | : | Paperback |
| Book Edition | : | Anniversary Edition |
| Pages | : | Pages: 1024 pages |
| Published | : | September 1st 2004 by W. W. Norton & Company (first published 1849) |
| Categories | : | Classics. Poetry. Fiction. Horror. Short Stories. Gothic. Writing. Essays |
Edgar Allan Poe
Paperback | Pages: 1024 pages Rating: 4.3 | 1547 Users | 20 Reviews
Representaion Concering Books The Selected Writings of Edgar Allan Poe
The poetry and stories of Edgar Allan Poe deal in grotesque murders, the dead returning to life, appalling revenges that go unpunished, shipwrecks and supernatural phenomena. On another level, they deal with the effects of alcohol and drug addiction, hyper-sensitivity, obsessiveness, isolation and insanity. Perhaps it is this dual quality that explains their appeal. While Poe’s writing was horrific by the standards of the nineteenth-century, it has been far surpassed by the graphic and gruesome horror literature of our own age. There are only a few specific lines in Poe’s works that are specifically gory or unpleasant. The rest of it is atmosphere. We cannot look to explain Poe’s appeal by considering them as explicit horror stories then. If that is how you like your horror, then you may not enjoy Poe. Perhaps a more accurate explanation is that Poe’s works are sensationalist in the fullest sense of the word. They appeal to our senses and sensations. Whether poetry or prose, the works spend more time on atmosphere and mood than they spend on storyline. This has been a problem for anyone who wishes to adapt a work by Poe into a movie. There is scarcely enough material in any poem or short story by Poe to fill a half-hour TV drama, let alone a feature length film. Poe’s works are evocative, building up feelings in the reader whilst offering them only the bare bones of a story. That story is certainly creepy, and we remember its outcome, but the reader who examines the story again will perhaps be astounded to find how little substance there is in the plot. Most of Poe’s efforts go into the style of the story. Notably the best movie version of Poe works are those which preserve an unreal and dream-like quality, spinning out images as if from the unconscious mind. Even that most populist of moviemakers Roger Corman designed his Poe cycle of films in this way. I can’t speak for others, but this is the reason for Poe’s appeal to me. His prose is painstakingly written, with much effort going into the description. Like H P Lovecraft or Ray Bradbury (two writers who owe Poe a huge debt), he writes for the love of writing itself more than love of the story. This may lead to excesses and over-written passages, but even this is better than shoddy or hastily-scribbled works. There is also the uncertain quality of what we are reading. Does Ligeia really come back to life, or is this the addled brain of the opium addict? How much of The Tell-Tale Heart or The Black Cat should be trusted, given the unreliability of the insane narrators? Did the narrator of The Pit and the Pendulum really see these instruments of torment, or was his solitude playing tricks on his mind? Reality is uncertain, and so is everything else. Morality is uncertain. The avengers of Hop-Frog and A Cask of Amontillado go unpunished. In Ligeia, a live woman is replaced by a dead woman. The hinterland between life and death is uncertain in tales such as Ligeia, Eleonora and The Facts in the Case of M Valdemar. Even the more rational tales have an element of something macabre or anti-intellectual in them. Poe’s detective Dupin was the earliest example of an amateur private detective, and his works greatly influenced detective fiction to come. The Murders in the Rue Morgue is the first instance of a murder committed in a locked room, an idea that frequently occurs in mysteries. Arthur Conan Doyle used in his novel, The Sign of Four. Conan Doyle also drew on the idea of a fake crisis to distract someone in order to locate a hidden document in his story, A Scandal in Bohemia. This idea first occurs in Poe’s story, The Purloined Letter. Nonetheless the stories do not exist in a certain world. The crimes in Rue Morgue are unusually ghastly, and the explanation is hardly saner. In The Purloined Letter, Dupin positively rejects mathematical rationality in favour of a more poetic sensitivity. The Gold-Bug also contains a detective element in it, but for a while the sanity of the investigator is questioned by those around him. Some of the stories strain towards an allegorical interpretation. The most obvious example is The Masque of the Red Death. As the locals die from a mysterious unpleasant disease, Prince Prospero and his courtiers seal themselves into an abbey and celebrate hysterically until the Red Death somehow gets into their sanctuary and they all perish. Could it be a metaphor for death, or the foolishness of a ruling class that fails to address the disease of poverty that is killing their subjects? The Fall of the House of Usher also approaches allegory. The house falls in a double sense. The entire family dies out, and the house itself collapses, as guilt, sickness, necrophilia and incest lurk beneath the surface. Is the House a symbol of Usher himself, his death bringing down his entire house? Is this about a sick hereditary class that will die away? Poe would probably reject such specific interpretations, as he did not favour didactic literature. The stories exist in themselves as works of art, nothing more. Still we cannot help drawing some of these conclusions from the stories, even if they are only imperfectly there. The poetry is a little less to my taste, but there is a rhythmic intensity to The Raven and Annabel Lee that elevates them and makes them memorable to me. I will be honest and say that I did not read the essays in this volume, and cannot comment on them. Still what is foremost here is the power and intensity of Poe’s work. His mind may be neurotic and gloomy, obsessed with dark and unpleasant images, but perhaps somewhere lurking in the unconscious mind there is something about that which can be found in us all, and Poe’s stories tap into this.List Books During The Selected Writings of Edgar Allan Poe
| ISBN: | 0393972852 (ISBN13: 9780393972856) |
| Edition Language: | English |
Rating About Books The Selected Writings of Edgar Allan Poe
Ratings: 4.3 From 1547 Users | 20 ReviewsDiscuss About Books The Selected Writings of Edgar Allan Poe
I absolutely love Poe's works! For a while I had some of his poems framed up on my walls. My favourite has got to be Annabel Lee. I enjoyed each of his tales as well, laced with so much cleverness and humour as well as the dark themes that he's known for! I own several different collections of his that I picked up before finding a complete collection!Poe is great!*Rereading stories to write papers for a series of conferences and publications. Being a Poe scholar is more marketable than knowing anything about the 20th C.**Focusing on "The Gold Bug," "The Man of the Crowd" and "Hop-Frog" primarily.
Shockingly, I'm giving a Norton Critical Edition only 2 stars. Poe's short stories are fine and the poetry is okay; the critical essays, though, seemed like such a letdown! Some of them were loooooong and boring, and the general organization of some of them (i.e. how they were grouped in the anthology) seemed completely random and scattered. It just wasn't as happy-reading (in other words, me geeking out) or as insightful as most other Norton editions are.
So I needed to read some of Poe's works for my Advanced Literary Theory class and the ones in the textbook I was given were pretty straightforward. I picked up this little copy at work (since I work in a bookstore) and started going through this copy instead. Ok, anything put out by Norton Critical Edition is a-okay by me!Not only did they have the poems and short stories and had some incredibly detailed footnotes to help give you a little bit of background on the piece or the biography of the
2.5 stars? Maybe?Look, I'm the first to admit that I'm not the biggest fan of poetry... like, at all. But the few short stories that we also had to read for class kind of made up for my poetical problems, so I'm being generous and rounding up to 3 stars with my rating.Read for a uni subject on Gothic fiction.*Probably should be noted as well that we didn't have to read the entire text for uni, only a selection of works.
I'm reading one story or poem a day...this is not a book you sit down and read cover to cover. Masque of the Red Death yesterday....still as good as I remember it.
Intense. That is how I would describe Poe and his work. If you aren't willing to match his intensity as you read a collection of his poetry and fiction then you may not get much out of it. Poe's prose and poetry is thick and contains many reference to things outside common knowledge. Footnotes can help you understand each piece better, but its also really easy to lose yourself in them and forget the actual plot. Of course, having a taste for the dark and/or morbid will also increase your
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