Define Books Supposing The Waste Land
| Original Title: | The Waste Land |
| ISBN: | 0393974995 (ISBN13: 9780393974997) |
| Edition Language: | English |
T.S. Eliot
Paperback | Pages: 320 pages Rating: 4.11 | 40198 Users | 1053 Reviews
List Of Books The Waste Land
| Title | : | The Waste Land |
| Author | : | T.S. Eliot |
| Book Format | : | Paperback |
| Book Edition | : | Norton Critical Edition |
| Pages | : | Pages: 320 pages |
| Published | : | December 1st 2000 by W.W. Norton & Company (first published 1922) |
| Categories | : | Nonfiction. Humor. Autobiography. Memoir. Biography |
Chronicle Conducive To Books The Waste Land
The text of Eliot's 1922 masterpiece is accompanied by thorough explanatory annotations as well as by Eliot's own knotty notes, some of which require annotation themselves. For ease of reading, this Norton Critical Edition presents The Waste Land as it first appeared in the American edition (Boni & Liveright), with Eliot's notes at the end. "Contexts" provides readers with invaluable materials on The Waste Land's sources, composition, and publication history. "Criticism" traces the poem's reception with twenty-five reviews and essays, from first reactions through the end of the twentieth century. Included are reviews published in the Times Literary Supplement, along with selections by Virginia Woolf, Gilbert Seldes, Edmund Wilson, Elinor Wylie, Conrad Aiken, Charles Powell, Gorham Munson, Malcolm Cowley, Ralph Ellison, John Crowe Ransom, I. A. Richards, F. R. Leavis, Cleanth Brooks, Delmore Schwartz, Denis Donoghue, Robert Langbaum, Marianne Thormählen, A. D. Moody, Ronald Bush, Maud Ellman, and Tim Armstrong. A Chronology and Selected Bibliography are included.Rating Of Books The Waste Land
Ratings: 4.11 From 40198 Users | 1053 ReviewsAppraise Of Books The Waste Land
This Pisses Me Off and Makes Me Feel Like a Moron I've had to read this twice in the course of my education, and I don't like it one bit, though I thoroughly appreciate its status and importance. Sort of like my attitude to atomic weapons. You wouldn't dismiss atomic weapons as 'crap', but you could legitimately say 'I appreciate their significance but I don't like them at all.'I don't think there has ever been more literary masturbation about any other piece of writing than The Wasteland, andΣπουδαίο δείγμα μεταμοντερνισμού. Μου άρεσε, ίσως γιατί δεν διάβασα ποτέ κάτι παρόμοιο. Για ένα περίεργο λόγο μου θύμισε τα ποιήματα του James Douglas (Jim) Morrison, που διάβασα πριν 20 χρόνια. Ξεκίνησα από τη μετάφραση, η οποία κυλούσε καλά σε γενικές γραμμές έως ότου συνάντησα λέξεις που δεν κολλούσαν εμφανέστατα, οπότε συνέχισα με το πρωτότυπο, που δεν ήταν δύσκολο. Η έκδοση που έχω είναι των Gutenberg, ενώ είχα ως μέτρο σύγκρισης τη μετάφραση του Γαβριηλίδη, η οποία ήταν καλύτερη.
بله و اون طور که خوندم و یادمه دنبال بیان یک مفهوم نیست دنبالِ آوردن یک سری تداعی هاست که در مخاطب منجر به یه حس بشه.
The Waste Land, T.S. Eliot The Waste Land is a long poem by T. S. Eliot, widely regarded as one of the most important poems of the 20th century and a central work of modernist poetry. Published in 1922, the 434-line poem first appeared in the United Kingdom in the October issue of Eliot's The Criterion and in the United States in the November issue of The Dial. It was published in book form in December 1922. Among its famous phrases are "April is the cruellest month", "I will show you fear in a
I read a lot of poems as an English major back in the day.* Not many have stuck with me over the years, but The Waste Land is one of them: T.S. Eliot's lamentation of the spiritual drought in our day, the waste land of our Western society, lightened by a few fleeting glimpses of hope. It's fragmented, haunting, laden with symbolism and allusions, and utterly brilliant. A diverse cast of characters take turns narrating the poem, or having their conversations overheard by the narrator, including:✍
i think this might make me an anti-intellectual, but i enjoyed this poem so much more when i read this outside of the classroom and infused it with my own tenuous understanding of what was going on in the poem. in class, explicating every single obscure reference effectively killed it. still such a powerful opening though. his poems have lines you want to taste in your mouth, and repeat over and over like magical intonations, or write down covertly in a secret book of quotes.
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