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Original Title: Ιφιγένεια η εν Αυλίδι
ISBN: 1566631114 (ISBN13: 9781566631112)
Edition Language: English
Characters: Menelaus, Achilles (Greek hero), Iphigeneia, princess of Argos, Clytemnestra (wife of Agamemnon), Agamemnon
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Iphigenia in Aulis Paperback | Pages: 69 pages
Rating: 4.03 | 3402 Users | 102 Reviews

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Title:Iphigenia in Aulis
Author:Euripides
Book Format:Paperback
Book Edition:Anniversary Edition
Pages:Pages: 69 pages
Published:September 25th 1997 by Ivan R. Dee Publisher (first published -405)
Categories:Plays. Classics. Drama. Fantasy. Mythology. Theatre. Fiction. Literature. Ancient

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It made me cry. It upset me. A play by Euripides from 500 B.C.E. or so. This reader has read Greek tragedies before but for some reason, this one ambushed. We are so messed up. We are so fragile. Trauma is never far away. Tragedy can enter through any window or door or vent at any time. Yes, it was a bit melodramatic. Yes, it may not have been completed by the man himself, his last work. It’s about a father, a mother, a daughter, a son, a brother. It’s about war and power. Always war and power. Why? It’s about family dysfunction. Blood does not create love. Often, we navigate a shared animus with the people we have lived with during the first phase of our lives. We do not always play nice. It’s about each one of us. It’s about the expectations we allow ourselves that do not materialize. It’s about surrender. It’s about personal needs and how it may conflict with the desires of others. It’s about the desires of others and how we misinterpret it because they are not us. We are not them. A need to inspect and magnify our immanence. Continuously. Humans break often. And we attempt to repair. But we cannot undo, unsee what we have experienced. We carry our sufferings under our masks so as not to show vulnerability, distress, hurt, sadness to others. Others who carry a similar load. Why?

Rating Regarding Books Iphigenia in Aulis
Ratings: 4.03 From 3402 Users | 102 Reviews

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This play (and the story of Iphigenia in general) is frustrating on a number of levels, and this version couldn't redeem it for me, but Clytemnestra's monologue rebuking Agamemnon is one of the best things I've read in Greek tragedy. In fact, this is probably my favorite incarnation of Clytemnestra so far. Spending so long with the Oresteia and other plays that focus on the supposed justice of her murder by Orestes, I felt like I'd waited years to hear her take Agamemnon to task for Iphigenia.

Near the end of Iphigenia at Aulis, Iphigenia has offered herself as a sacrificial victim: "I have decided that I must die. And I shall die gloriously."(p 58) At this point the Chorus echoes her praises, but one wonders at the events that have led to this point and the event that will come to follow this moment as the ending turns the drama on its head. The story told in this drama by Euripides is one that Athenians knew well. It was told by Aeschylus in his drama Agamemnon, the first play in

Iphigenia in Aulis is one of two plays about Iphigenia that Euripides wrote- out of those two, this one is by far the better one. Instead of following a hypothetical situation like Iphigenia Among the Tauri, Iphigenia at Aulis simply tells the story of a father who is forced to kill his own daughter for assistance in battle from the gods. Essentially, this is the most appropriate "prequel" to the Oresteia trilogy. Since I love the trilogy following Agamemnon and Orestes, I also love this play

Colin Farrell seems to have it all. He's a successful cardiologist, he gets to have necrophilic sex with Nicole Kidman every night, and his beautiful daughter has just started menstruating. Unfortunately, he's about to discover that he's walked into a Greek tragedy.(If this doesn't make sense, go watch The Killing of a Sacred Deer. It still won't make sense, but you'll be confused in a more enjoyable way).

My favorite from Euripides. This is his anti-war play: the virginal Iphigeneia is to be sacrificed for the sake of the Greeks on their way to war with Troy, and the Greeks all have their say about how awful it is before the sacrifice happens. The ending of the play is lost, but later playwrights imagine Iphigeneia saved by Artemis, "dead and brought to life again" and "in heaven with the gods," which sounds a lot like like someone named Jesus Christ.



One Final Play29 August 2018 Sydney Well, as it turns out, this was Euripides last play, the reason being that he died before he could finish it. This is sort of a bit of a turn of events where Greek plays are concerned because most of the time the reason we dont have the plays is because they have been lost (you can probably blame Julius Caeser for that, among other people, but then again the Great Library did seem to be a bit of a fire magnet). However, just because he didnt finish it doesnt

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