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| Original Title: | La guerra del fin del mundo |
| ISBN: | 0571139612 (ISBN13: 9780571139613) |
| Edition Language: | English URL http://www.faber.co.uk/9780571288632-the-war-of-the-end-of-the-world.html |
| Setting: | Canudos,1897(Brazil) |
| Literary Awards: | PEN Translation Prize for Prose for Helen R. Lane (1985) |
Mario Vargas Llosa
Paperback | Pages: 568 pages Rating: 4.22 | 8127 Users | 663 Reviews
Particularize About Books The War of the End of the World
| Title | : | The War of the End of the World |
| Author | : | Mario Vargas Llosa |
| Book Format | : | Paperback |
| Book Edition | : | UK / AUS / NZ |
| Pages | : | Pages: 568 pages |
| Published | : | 1986 by Faber Faber Inc (first published 1981) |
| Categories | : | Fiction. Historical. Historical Fiction. Literature. Novels |
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Practical Eschatology At precisely the time that Fyodor Dostoevsky was writing of the Grand Inquisitor and his confrontation with a Jesus returned to the world (1879-80), the events he was fictionalising were playing themselves out in the scrublands of the Brazilian State of Bahia. In fact, the Brazilian drama surpasses Dostoevsky’s plot by including all the celebrities from the original biblical stories. Who says history doesn’t repeat itself? Mario Vargas Llosa’s The War of the End of the World is a docu-fictional account of the so-called War of Canudos and the events leading to it from 1877 to 1897. In Vargas Llosa’s account it doesn’t take much imagination to identify Antonio, The Counsellor, as Jesus; the revolutionary Scotsman, Galileo Gall, as St. Paul; the local administrative power, Baron de Canabrava, as Pilate; and the psycho-fanatic, Big Joao, as Judas. The Mystic, The Revolutionary, Satan, and The Betrayer could be playing out their cosmic roles rather than merely bit parts in a provincial theatre. Antonio’s disciples (the wretchedly poor, the dispossessed, criminals, the psychologically needy), followed Antonio in increasingly large and militant groups as he roamed the Galilee of Bahia State. Wherever they went both plagues and miracles were reported, thus combining Old and New testament references. The disciples had no means of support but lived off the contributions of food and water offered in the villages they entered. Antonio preached and the band grew. What he preached was a kind of repentance: the rejection of political republicanism and the return to monarchy (Brazil became the realm of the Portuguese king after the Napoleonic putsch of his country in 1807). The details of things to be held anathema were derivative: irreligion, taxes and the metric system. Let the Samaritans of the South in Rio and São Paulo have their republican apostasy, Antonio and his followers knew the joys of the true Kingdom of God (ruled by Dom Pedro of course) with its capital in Salvador. They resisted the forces of the state like the Maccabees at Masada. Their attack formation was that of a religious holy day procession; they used whatever weaponry available in close combat. They did not mind suffering casualties of ten to one for the cause. Galileo Gall was the (mythical, unhistorical) Osama bin Laden of his day. He represents how the movement was shaped by cultural forces outside of Brazil and often quite opposed to the teaching of Antonio. Gall was persona non grata in his native Britain, jailed in Turkey, Egypt and the USA for proletarian agitation and unionising, and wanted for murder in France, in Spain, and in Portugal. His gospel was that of the anarchists Proudhon and Bakunin. Gall's anthropological vision was only slightly less radical than that of St. Paul. He was convinced that phrenology, the study of the shape of the head, told all. For Paul, only belief mattered, for Galileo it was hat size. As with the movement of Jesus, Antonio’s went well at first. But success, as so often, was its own undoing. As a fiction structured around historical events, there is never any doubt that everything will end in tears and death. Vargas Llosa’s brilliance lies not in creating suspense about the outcome but about the development of the characters as they realise what they are themselves creating. For me this is the magic of The War of the End of the World. It is also a rather splendid allegory of the early development of Christianity. Vargas Llosa's insertion of the Paul-character in the form of Galileo Gall suggests that he meant such an allegorical interpretation. The rebel who ensures both the dissemination and the distortion of the message of hope was an ideological as well as literary temptation he couldn't resist.Rating About Books The War of the End of the World
Ratings: 4.22 From 8127 Users | 663 ReviewsPiece About Books The War of the End of the World
Practical EschatologyAt precisely the time that Fyodor Dostoevsky was writing of the Grand Inquisitor and his confrontation with a Jesus returned to the world (1879-80), the events he was fictionalising were playing themselves out in the scrublands of the Brazilian State of Bahia. In fact, the Brazilian drama surpasses Dostoevskys plot by including all the celebrities from the original biblical stories. Who says history doesnt repeat itself?Mario Vargas Llosas The War of the End of the World isAlabado sea el Buen Jesús! I made it. I will not lie, I had a war with this book. It was good. !Verdad! It was hard to read at times. !Muy verdad! 920 páginas en español! Not only one of the biggest books I have ever read, but in Spanish. It is by Mario Vargas Llosa, one of my favourite authors. The language skills are excelente, the characters buenos y malos, and the plot flows como el rÃo.Alabado sea paz.Pero está guerra. A war. And it was very graphic and hard to take. Countless hordes of
La guerra del fin del mundo = The war of the end of the world, Mario Vargas LlosaThe War of the End of the World is one of the great modern historical novels. Inspired by a real episode in Brazilian history, Mario Vargas Llosa tells the unforgettable story of an apocalyptic movement, led by a mysterious prophet, in which prostitutes, beggars and bandits establish Canudos, a new republic, a libertarian paradise. The War of the End of the World is a 1981 novel written by Peruvian novelist Mario
3.5 stars What an elephantine statement. I began the novel with the impression that it was kind of a Christian millenarian Germinal in terms of the bleakness of its storyline. By the end, however, it was clear to me that Vargas Llosa's model was predominantly Russian. When AC says here that "there is a certain archaism and hieratic nature in the writing," I think this is in part what he means, though the limited third-person voice never widens to full God-like omniscience. The novel is based on
The War of the End of the World is, after The Feast of the Goat, only the second the second Mario Vargas Llosa novel I have read. But I still feel mostly secure in saying that Vargas Llosa, more than any other novelist I can think of this side of Tolstoy, has a better and more intuitive grasp of the subtleties of politics. By this, I don't mean such politica machinations as electioneering and how a bill becomes a law. Instead, Vargas Llosa's writing explores the essence of the political
Hailed as his masterpiece, "War of the End of the World" is... megadense. It churns inside the brain as it desperately tries to make sense of what is inherently senseless. The world of the fanatical Counselor versus the entire republic of Brazil is perhaps one of the most exciting and well-written war novels ever, on the same scale as "Gone With the Wind". There are many flavors here, like in most of his other denser novels, & all of them are exceedingly palatable. There are no "Green House"
Nobel Laureate Vargas Llosa recounts the epic story of the Canudos rebellion in fin-de-siècle Brazil in an interminable novel that resembles an impeccably detailed outline for a costume drama miniseries. There are so many characters and settings that the book occasionally feels like studying for an exam. As someone with a bachelors' degree in history and a longtime intense fascination with tales of the past, I would imagine I am exactly the target audience for this type of book. Alas, while
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